A monotype is a painting or drawing that has been printed on paper. Because monotypes must be done quickly, the application of paint is bold and loose and can be very expressive. The process of making a monotype is relatively simple: The first method is similar to painting on canvas (light-field). Paint or ink is applied directly to a clean non-porous surface such as Plexiglas, plastic or glass. When paper is pressed to this surface, provided the paint or ink is still wet, the image transfers to the paper. When the paper is removed, the image will be reversed. In the second method (dark-field), a fairly thick layer of ink or paint is spread or rolled evenly over a nonabsorbent surface, such as Plexiglas, plastic or glass, and the image is wiped away or extracted from this dark tone. The workshop focuses on these and other methods of doing monotypes with demonstrations and live models. Only a spoon is needed for printing.
Mary Beth McKenzie always works directly from life, with many of her subjects being friends and family. She is able to match her impressions with a concern for the formal aspects of pictorial construction. There is always a subtle mood to her work. She has said, “When I paint someone, I am less concerned with likeness than with the character or spirit of that person.”
Ms. McKenzie was born in Cleveland. She studied at the Art Students League of New York, the Boston Museum of Fine Arts, the Cooper School in Cleveland, and the National Academy. Her teachers were Robert Philipp, Robert Brackman, José Cintron, Daniel Greene, and Burton Silverman.
She is represented in many public collections, including the Metropolitan Museum of Art, the National Museum of American Art, the Smithsonian Institution, the Brooklyn Museum, the New Britain Museum of American Art, the National Museum of Women in the Arts, the Butler Institute of American Art, the Museum of the City of New York, the National Academy, and the New-York Historical Society. Her paintings are in numerous private collections.
Watson-Guptill published Ms. McKenzie’s book, A Painterly Approach, in 1987. Her work was on view at the Metropolitan Museum of Art as part of the Looking At You exhibitions in 2001 and 2009. Her work Trapeze Artist was on view in a circus installation in the Johnson Gallery for Prints and Drawings at the Metropolitan Museum of Art (August 28–November 18, 2012). Also on view was her Self Portrait (Life Masks) at the National Academy Museum in an exhibition on women’s portraits from the collection, Her Own Style: An Artist’s Eye With Judith Shea.
Ms. McKenzie currently teaches at the Art Students League and at the National Academy. She was elected to full membership in the Academy in 1994.