Copying Masterpieces at The Metropolitan Museum of Art: Theory and Technique – The Art Students League

Copying Masterpieces at The Metropolitan Museum of Art: Theory and Technique

Leonid Gervits

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Leonid Gervits
www.gervits.com

Workshop Description

8 Fridays March 9, 16, 23 30 and April 6, 13, 20 & 27
Orientation meeting March 2
11:30– 3:30 pm
Fee: $825 (includes fee for the Met)
Instructor present each day
Enrollment limited to 11 students
 
The European Painting 1250-1800 Rooms will be closed this Spring for Renovation.  The European 19th and early 20th Century Painting Rooms and American Wing will be available.

This is an oil painting workshop that will teach old master techniques, through hands-on study and application next to each student’s selected masterpiece. Students are expected to research their selected work, including the artist and the technique of the time. The instructor will further introduce the topic, and suggest literature with concern to the selected art piece.
Interested applicants can request an application form in person or by emailing rtelenick@artstudentsleague.org or find it on the website. Registration deadline: February 16, 2018.

Early applicants are given priority regarding work selection. Based on applicant’s prior experience, the instructor may make additional suggestions of work to copy.

 

 

About the Instructor

“It is wonderful that figurative realist painting is alive and thriving despite the introduction of photography over 150 years ago. To me, this proves that an artist’s hand and soul, along with his eagle eye, cannot be replaced by a machine. The vibration of the artist’s heart and his unique skills are the most valuable and exciting part of realist painting,” says Leonid Gervits.

Mr. Gervits graduated from the National Academy of Fine Arts, Repin Institute, in St. Petersburg, Russia, where his mastery of art was honed by deep-rooted European traditions of figurative art. After postgraduate studies, he became a professor at the Repin Institute of the National Academy of Fine Arts. In 1991, Mr. Gervits moved to the United States.

He has exhibited widely around the world, from Japan to Spain, and has had one-man exhibitions at Princeton University; the Dow Jones Gallery; Medici House Gallery, Zurich, Switzerland; 1100 Madison Gallery, New York City; the Pushkin Museum, Odessa, Ukraine; the Pushkin Preserve– Museum in Pskov region, Russia; the Santa Fe Fine Arts Gallery, Santa Fe, NM; and the Tiroche Auction House, Herzliya, Israel.

Mr. Gervits’s work is in numerous private and international collections in France, Switzerland, Germany, Norway, Japan, and the United States. His work is also in many public collections, including the Zimmerli Art Museum of Rutgers University; the National Academy of Fine Arts in St. Petersburg; the State Art Museum and the Pushkin Museum, both in Odessa, Ukraine; the Pushkin Preserve–Museum in Pskov region, Russia; and other museums in Russia and Ukraine.

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